| THE MUSIC OF GENE PITNEY (1941-2006)
| What: |
A Gene Pitney Retrospective |
| When: |
Monday, June 11th 2007, 7PM |
| Where: |
Dakota Bar & Grill, 1010 Nicollet Mall, Minneapolis |
| Tickets: |
612.332.1010 |
| Online: |
dakotacooks.com |
In June
of 1986, I got a call from Gene Pitney’s
manager asking me to put a 12 piece band together FAST and
come out to Rhode Island to finish a short tour with Mr. Pitney
(the preceding band had a small accident with their bus). I
got the job because I knew all the parts to all of Gene's hits,
and could play bass, piano, and guitar. That first tour I played
bass, 2nd season guitar, and third season moved to piano as
music director.
His music appealed to me on so many levels; as a writer of
music I appreciated how well the songs were written by writers
such as Bacharach/David, Goffin/King, Mann and Weill, all products
of the Brill Building in NYC, a latter day fixture of Tin Pan
Alley. I loved his voice. If he and Connie Francis had ever
sung together there COULDN'T have been a dry eye in the house.
AND, Gene, it turns out, was the last of a breed of pop performers:
tuxedos, spit and polish, totally scripted performances, generous
in his praise, committed to using real instruments (a string
and horn section) when all around him were caving to the MIDI
craze. He was sane, fair, calm, drug-free, a very ordinary
man (by his own admission) with an extraordinary gift. When
I was at the funeral… that is when I came to understand
him. He was, to everyone, 'just Gene', but on stage, in total
command of his environment. We played a wide assortment of
venues: from a Park and Recreation flatbed in Miles City, Montana
(in the rain, no less) to a sold out house at Carnegie Hall
the day terrorists hit the World Trade Center the FIRST time.
During the last few years, the traditional employer/employee
line began to blur, much, I believe, to the relief of both
Gene and myself. Perhaps it was age, perhaps it was the genuine
kindness and loyalty he felt for me as I was going through
some tremendous upheavals in my personal life. It was a distinct
honor to have performed with him for all these years, the pinnacle
of my life in show business, and I will miss him, we all will
miss him, dearly.
"Now" seems to be a bit rushed, the emotional waters
have not calmed sufficiently, but perhaps that makes a statement
like this all the more timely for its poignancy. I hope to
see you there. It’s been a long, wonderful trip.
Gary
GENE'S NORTH AMERICAN QUARTET
David Singley, guitars |
Peter Johnson, drums |
Michael O'Brien, bass |
Gary Rue, piano |
| Vocals: |
Prudence Johnson,
Karen Paurus and Mary Jane Alm |
| Violins: |
Liz Decker, Carolyn Boulay,
Lorie Hippen and Steve Leung |
| Trumpets: |
Dave Jensen, Bob Hallgrimson |
| Reeds: |
Kathy Jensen |
| Trombone: |
Wade Clark |
|